In Negative Space Photography, You Still Need a Strong Subject Editor's Tip: Improve the quality of your landscape photography by utilizing filters. In the video above, Thomas Heaton documents his journey with negative space photography.īelow, I've outlined a few landscape photography tips Thomas discusses. I say it's a challenge because finding wide open spaces with little detail can be difficult in and of itself.īut beyond that, using negative space in photography and doing it well requires a good photography eye and a great attention to detail. There's a lot of reasons for this, but chief among them is that there are simply so many types of landscapes that can be used to create beautiful landscape photos. In many cases, landscapes have lots of features - mountains, trees, water, plants, rocks, beaches, rolling hills - you name it.īut sometimes, crafting a minimalist landscape image is a fun challenge. “I wanted to celebrate the disparate yet harmonious cosmos of images, languages, cultures and relationships that make up the history of this region, it’s ever-churning present and endlessly shifting future,” the Taiwan-born, Los Angeles-based artist said in a statement.My biggest passion in photography is photographing landscapes. Hsiung’s multi-storey mosaic, High Prismatic (2023), features geyser-like bursts of colour stretching over a monochrome landscape toward the sky. Perhaps most striking at the Grand Avenue Arts/Bunker Hill station is Pearl C. The murals feature inverted images of the Hubble Space Telescope’s 2015 photos of the Andromeda galaxy. Looming above the station’s platform is an installation featuring two large-scale murals by Los Angeles artist Mungo Thomson, Negative Space (STScI-2015-02) (2023). The texts and images, titled Migrations (2023), are intended to evoke the experience of migration, specifically that he documented in 2005, photographing Louisianans who came to Los Angeles after being displaced by Hurricane Katrina.Īt Grand Avenue Arts/Bunker Hill, Ohio-based conceptual artist Ann Hamilton has wrapped the station’s street-level exterior in an abstract pattern, over-under-over (2023), intended to evoke an enveloping thread that the artist sees as akin to the many strands of the transit system. On the station’s platforms, the photographer Clarence Williams-who won a Pulitzer Prize in 1998, when he was a staff photographer for The Los Angeles Times-has collaborated with the poet Ursula Rucker on a series of haikus, which are juxtaposed with his photographs. He intends the work to serve as “a whimsical abstraction of the energy” of the city’s Pacific Electric Red Cars, a vast network of electric streetcars that connected Los Angeles’s downtown and outskirts between 19. Down on the platforms, the Los Angeles-based artist Audrey Chan’s 14-panel mural cycle Will Power Allegory (2023) depicts, in fantastical fashion, events and communities connected to Little Tokyo, Skid Row, Bronzeville and more.Īndrea Bowers's The People United (“El pueblo unido jamás será vencido,” Sergio Ortega and Quilapayun “Brown Beret 13 Point Political Program,” La Causa) (2023) at Historic Broadway Station Courtesy the artist and the Los Angeles County Metropolitan Transportation Authorityīelow ground at Historic Broadway, Los Angeles-born and -based artist Mark Steven Greenfield has created the large, radiant abstract mural, Red Car Requiem (2023). The stations feature eight new permanent artworks commissioned through the Metro Art programme.Īt the Little Tokyo/Arts District, the station’s entrance pavilion features Harmony (2023), a luminous intervention by San Francisco-based artist Clare Rojas that incorporates translucent abstract forms and the cycles of the moon. The so-called Regional Connector, inaugurated on 16 June in a ceremony at the Japanese American National Museum, sees the addition of three new metro stations to the Los Angeles County Metropolitan Transportation Authority’s network in Downtown Los Angeles: the Little Tokyo/Arts District Station, the Historic Broadway Station and the Grand Avenue Arts/Bunker Hill Station. Riders passing through Los Angeles’s three new underground metro stations might reasonably think they have entered a subterranean museum.
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